
Intimacy collapses when shared domestic space turns into ideological mockery
Stephen Dedalus begins his morning atop a Dublin Martello tower, confronted by Buck Mulligan’s irreverent theatrics and mockery of his grief. Mulligan demands money and keys while dismissing Stephen’s refusal to kneel at his dying mother’s bedside. Dispossessed of his living space and alienated from his companion, Stephen resolves to leave the tower by nightfall. His internal mourning contrasts sharply with the sunny, transactional cynicism of his peers.
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