Spots 
A racing car adorned with great pipes roaring like serpents possesses greater beauty than the Victory of Samothrace. Art can be nothing but violence, cruelty, and injustice, attacking the sleepy past to glorify war, militarism, speed, and the industrial machine. Museums are cemeteries that must be demolished alongside libraries and academies to free Italy from its fetid cancer of professors, archaeologists, and antiquarians.
The soft moonlit night of sentimental poets hides cowardice and paralysis under a veil of nostalgia. Destroying moonlight means tearing down the romantic obsession with weakness, tears, and passive contemplation in favor of blazing electric light bulbs and roaring city power grids. A new heroic humanity demands the noise of factories, the violence of conquest, and the absolute rejection of traditional moral quietude.
Nouns should be placed at random as they are born in the mind, freed from the chains of Latin syntax and logical connection. Verbs belong strictly in the infinitive to convey continuous action rather than static time bound to a subject. Adjectives and adverbs clutter language with unnecessary nuance, whereas mathematical signs and visual layout can directly express the raw velocity of modern life.
Wireless imagination captures the instant connection between widely separated phenomena without logical bridges. Analogy becomes the ultimate engine of expression, linking an engine's hum to an ocean storm or a speeding bullet to a line of poetry. Onomatopoeia brings the literal noise of machine guns, roaring propellers, and metal collisions directly into the text, stripping away reflective distance.
A radical call to destroy traditional art and celebrate technology, speed, industrial noise, and dynamic linguistic freedom.