
Poisoners obscure guilt through aggressive performance and deliberate deflection
During her 1918 trial for attempting to poison her mentor's wife with arsenic and phosphorus, Milica Vukobrankovics aggressively maintains her innocence. She frames her actions as harmless misunderstandings while attempting to frame the family's adopted son by having a schoolgirl hide chemical bottles under their sofa. When confronted with incriminating evidence, including a book on murder psychology found in her bag, she weaponizes indignation and charm. Her courtroom tactics reveal a calculated performative innocence designed to disarm judges and prosecutors.
Der erste Prozeß Vukobrankovics.

