
Italian form and English lyricism converged in Tottel's landmark anthology.
Modern English poetry began in 1557 when Richard Tottel printed the verse of Thomas Wyatt and the Earl of Surrey. Wyatt imported the Italian sonnet, forcing rugged English accentual meter into Petrarcan stanzas, while Surrey smoothed those meters into fluid decasyllables and invented English blank verse. Spenser later transformed these tentative experiments into the grand architecture of The Faerie Queene, harmonizing medieval romance with Renaissance melody.

